• The Cinema Sight Film Club #10: Selection

    Welcome to our tenth monthly Cinema Sight Film Club. We start on the first day of each month with one selection based on the order people signed up to be part of the club. Cinema Sight’s own Peter J. Patrick has selected Yasujiro Ozu’s Late Spring. The film is available on both Netflix standard and…

    Read More Here…


    Posted

    in

    by

  • This Day in Oscar History: July 1

    Here’s what happened today in Oscar History. Our Site Milestones 2010: Feed the Queue (2)

    Read More Here…


    Posted

    in

    by

  • Academy Invites 176 Potential New Members

    Below is the official press release from the Academy announcing 176 individuals who have now been invited to the Academy. Unlike past years, the number of questionable selections is minimized, though I wonder why the heavy admission of actors who are primarily working in television (Simon Baker, Margo Martinda and S. Epatha Merkerson do work…

    Read More Here…


    Posted

    in

    by

  • This Day in Oscar History: June 30

    Here’s what happened today in Oscar History.

    Read More Here…


    Posted

    in

    by

  • What to See: Jun. 29-Jul. 2, 2012

    On Sundays, we list the weekend’s upcoming films along with previews of trailers and posters. On Wednesdays, we preview all of the upcoming new wide and limited releases hitting the theaters the coming weekend. On Fridays, we’ll now tell you what you should see. We pose two questions each week to our contributors and their…

    Read More Here…


    Posted

    in

    by

  • Friday Face-Off #27

    Time for another week of the Friday Face-Off. It’s a simple affair in which you are given a choice between two Oscar winners in specific categories. You choose which of the two is best. When the game concludes, we’ll have the ultimate winner in each category. For example: If you were to choose between Oscar…

    Read More Here…


    Posted

    in

    by

  • Oscar in Box Office History (Week 26, 2012)

    Every week, we’ll take a look back 5, 10, 15, 20, 25 and 30 years into the box office past to explore how Oscar’s nominees were doing at the box office that weekend historically. All data is taken from Box Office Mojo. The first section under each year is the positioning of all Oscar nominees…

    Read More Here…


    Posted

    in

    by

  • Rules Changes for the 85th Oscars

    Nothing major occurred (yes, they are still sticking to their convoluted Best Picture rules) with yesterday’s announcement of the rules changes for the 85th Academy Awards. The biggest news is that hairstylists will finally be given credit in the Makeup category, which will be renamed Best Makeup and Hairstyling. This is what the British Academy…

    Read More Here…


    Posted

    in

    by

  • This Day in Oscar History: June 29

    Here’s what happened today in Oscar History.

    Read More Here…


    Posted

    in

    by

  • Poll: Best Visual Effects (1968 – 1972)

    Return Links Best Visual Effects Poll Archive Best Visual Effects Poll: 1968 – 1972 Cinema Sight Asks: Which Best Visual Effects winner is best? Public OpinionPoll Results

    Read More Here…


    Posted

    in

    by

  • Trailer Watch: Hit & Run

    Bradley Cooper in dreads? Whose bright idea was that? Hit & Run Plot Summary: A bank robbing wheelman in witness protection is located by the men he turned states evidence on and must escape their clutches or end up dead. Release Date: August 24, 2012 Poster Trailer Rating: D+ Commentary: This isn’t Kerouac, though this…

    Read More Here…


    Posted

    in

    ,

    by

  • Feed the Queue #90

    Here are the results of last week’s poll. Hud (1963) Anatomy of a Murder (1959) Becket (1964) The Defiant Ones (1958) Divorce-Italian Style (1962) The Pawnbroker (1965) Alfie (1966) Lilies of the Field (1963) Hud wins and goes into my queue.

    Read More Here…


    Posted

    in

    by

  • Oscar Profile #92: Gregg Toland

    Born May 29, 1904 in Charleston, Illinois, the only child of Frank and Jennie Toland, Gregg Toland would grow up to become the first cinematographer whose name was well known by the public. Both John Ford (with The Long Voyage Home) and Orson Welles (with Citizen Kane) would insist that he be given credit on…

    Read More Here…


    Posted

    in

    by

  • This Day in Oscar History: June 28

    Here’s what happened today in Oscar History. Our Site Milestones 2010: The Morning After (2)

    Read More Here…


    Posted

    in

    by

  • Poll: What Are You Watching? (Jun. 29-Jul. 2, 2012)

    Return Links What Are You Watching? Poll Archive What Are You Watching? (Jun. 29-Jul. 2, 2012) Cinema Sight Asks: What are you watching? (Jun. 29-Jul. 2, 2012) Public OpinionPoll Results

    Read More Here…


    Posted

    in

    by

Oscar Hopefuls Header

← Back

Thank you for your response. ✨

Verified by MonsterInsights